The passing on of Kenyan literary icon Ngũgĩ wa Thiong’o

Ngũgĩ wa Thiong’o, the revered Kenyan man of letters and voice of dissent who in dozens of fiction and nonfiction books, traced his country’s history from British imperialism to home-ruled tyranny and challenged not only the stories told but the language used to tell them, died on Wednesday at the age of 87.

“It tears my heart to say that my father, Ngũgĩ Wa Thiong’o passed away earlier today. I am me because of him in so many ways, as his child, scholar and writer. I love him – I am not sure what tomorrow will bring without him here. I think that is all I have to say for now,” his son Mukoma wa Ngugi said.

On her part, his daughter Wanjiku wa Ngũgĩ said: It is with a heavy heart that we announce the passing of our dad, Ngũgĩ wa Thiong’o this Wednesday morning, 28th May 2025. He lived a full life, fought a good fight. As was his last wish, let’s celebrate his life and his work. Rîa ratha na rîa thŭa. Tŭrî aira! The family’s spokesperson Nducu Wa Ngũgĩ will announce details of his celebration of life soon.”

Ngũgĩ was a titan of modern African literature – a storyteller who refused to be bound by jail, exile and illness.

His work spanned roughly six decades, primarily documenting the transformation of his country – Kenya – from a colonial subject to a democracy.

Ngũgĩ was tipped to win the Nobel Prize for Literature countless times, leaving fans dismayed each time the medal slipped through his fingers.

He will be remembered not only as a Nobel-worthy writer, but also as a fierce proponent of literature written in native African languages.

Ngũgĩ was born James Thiong’o Ngũgĩ in 1938, when Kenya was under British colonial rule. He grew up in the town of Limuru among a large family of low-income agricultural workers.

His parents scrimped and saved to pay for his tuition at Alliance, a boarding school run by British missionaries.

In an interview, Ngũgĩ recalled returning home from Alliance at the end of term to find his entire village had been razed by the colonial authorities.

His family members were among the hundreds and thousands forced to live in detention camps during a crackdown on the Mau Mau, a movement of independence fighters.

The Mau Mau uprising, which lasted from 1952 to 1960, touched Ngũgĩ’s life in numerous, devastating ways.

In one of the most crushing, Ngũgĩ’s brother, Gitogo, was fatally shot in the back for refusing to comply with a British soldier’s command.

Gitogo had not heard the command because he was deaf.

In 1959, as the British struggled to maintain their grip on Kenya, Ngũgĩ left to study in Uganda. He enrolled at Makerere University, which remains one of Africa’s most prestigious universities.

During a writers’ conference at Makerere, Ngũgĩ shared the manuscript for his debut novel with revered Nigerian author Chinua Achebe.

Achebe forwarded the manuscript to his publisher in the UK and the book, named Weep Not, Child, was released to critical acclaim in 1964. It was the first major English-language novel to be written by an East African.

Ngũgĩ swiftly followed up with two more popular novels, A Grain of Wheat and The River Between. In 1972, the UK’s Times newspaper said Ngũgĩ, then aged 33, was “accepted as one of Africa’s outstanding contemporary writers”.

Then came 1977 – a period that marked a huge change in Ngũgĩ’s life and career. For starters, this was the year he became Ngũgĩ wa Thiong’o and shed his birth name, James. Ngũgĩ made the change as he wanted a name free of colonial influence.

He also dropped English as the primary language for his literature and vowed to only write in his mother tongue, Kikuyu.

He published his last English language novel, Petals of Blood, in 1977.

Ngũgĩ’s previous books had been critical of the colonial state, but Petals of Blood attacked the new leaders of independent Kenya, portraying them as an elite class who had betrayed ordinary Kenyans.

Ngũgĩ didn’t stop there. The same year, he co-wrote the play Ngaahika Ndeenda (I Will Marry When I Want), which was a searing look at Kenya’s class struggle.

Its theatre run was shut down by the government of then President Jomo Kenyatta and Ngũgĩ was locked up in a maximum security jail for a year without trial.

It was a fruitful 12 months, however – as Ngũgĩ wrote his first Kikuyu novel, Devil on the Cross, while in prison. It is said he used toilet paper to write the entire book, as he did not have access to a notebook.

Mukoma has alleged that his mother was physically abused by Ngũgĩ.

“Some of my earliest memories are me going to visit her at my grandmother’s where she would seek refuge,” his son wrote in a social media post, which Ngũgĩ wa Thiong’o did not respond to.

Later in his life, Ngũgĩ’s health deteriorated. He had triple heart bypass surgery in 2019 and began to struggle with kidney failure. In 1995, he was diagnosed with prostate cancer and given three months to live.

Ngũgĩ recovered, however, adding cancer to the lengthy list of struggles he had overcome.

But now one of African literature’s guiding lights – as Nigerian writer Chimamanda Ngozi Adichie once called him – is gone, leaving the world of words a little darker.

Original reporting by BBC. Part reporting by AP.